Linda Dubin Garfield, printmaker and mixed media artist, creates visual memoirs based on the mystery of memory and the magic of place. Her love of travel and her creative spirit combine in her work. She creates art based on her visits to far-away exotic places as well as venues closer to home. Nature inspires her work. In this blog dedicated to the ART of travel, she shares with you her travel to beautiful places, and the art it inspires.
Saturday, January 21, 2012
Ta Prohm or Trees Grow in the Temple
Jayavarman VII embarked on a massive program of construction and public works in the 12th century. After the fall of the Khmer empire in the 15th century, the temple of Ta Prohm was abandoned and neglected for centuries. When the effort to conserve and restore the temples of Angkor began in the early 20th century, the École française d'Extrême-Orient decided that Ta Prohm would be left largely as it had been found, as a "concession to the general taste for the picturesque." According to pioneering Angkor scholar Maurice Glaize, Ta Prohm was singled out because it was "one of the most imposing [temples] and the one which had best merged with the jungle, but not yet to the point of becoming a part of it". Nevertheless, much work has been done to stabilize the ruins, to permit access, and to maintain "this condition of apparent neglect."
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